Music, Song and Englishness in Tom Stoppard’s The Real Thing
DOI : 10.54563/coupdetheatre.1145
p. 219-228
Text
References
Bibliographical reference
Susan Blattès, « Music, Song and Englishness in Tom Stoppard’s The Real Thing », Coup de théâtre, 25 | 2011, 219-228.
Electronic reference
Susan Blattès, « Music, Song and Englishness in Tom Stoppard’s The Real Thing », Coup de théâtre [Online], 25 | 2011, Online since 24 septembre 2025, connection on 17 octobre 2026. DOI : 10.54563/coupdetheatre.1145
Author
Susan Blattès
Professor at Stendhal Grenoble3 University, she is a specialist of modern and contemporary British Theatre. She has published articles on Caryll Churchill, Sarah Kane, Harold Pinter and Tom Stoppard among others, and on such American playwrights as David Mamet, Arthur Miller, Sam Shepard and Tennessee Williams. She teaches British and American Literature.
Copyright
CC-BY-NC-ND