http://www.peren-revues.fr/coupdetheatre/251 Publications de Directeurs de la publication Christine Kiehl fr 0 http://www.peren-revues.fr/coupdetheatre/1096 Ce numéro spécial de Coup de Théâtre offre un aperçu original de l'univers dramatique de Caryl Churchill. Loin de l'analyse exhaustive d'une œuvre, il se présente comme un chantier ouvert, rassemblant, une fois n'est pas coutume, divers acteurs de la communauté théâtrale : des universitaires, une metteure en scène et un traducteur. Ces approches conjuguées permettent d'ouvrir les perspectives d'analyse et de croiser les regards, du texte à la scène et d'une langue à une autre. jeu., 18 sept. 2025 14:54:24 +0200 jeu., 25 sept. 2025 14:51:47 +0200 http://www.peren-revues.fr/coupdetheatre/1096 http://www.peren-revues.fr/coupdetheatre/1031 mer., 17 sept. 2025 15:58:39 +0200 jeu., 16 juil. 2026 10:08:59 +0200 http://www.peren-revues.fr/coupdetheatre/1031 http://www.peren-revues.fr/coupdetheatre/806 RADAC celebrated its 40th birthday last year with an international conderence devoted to a very topical theme indeed: Crossing Borders. This volume presents the findings of scholars, translators, theatre-makers and publishers from a dozen European countries who gathered in Paris October 11-12, 2018 to discuss how Anglophone theatre circulates within Europe. They raise important questions linked not only to the reception, translation and adaptation of specific works, but also to the patronage and adaptation of specific works, but also to the patronage and funding of theatres and theatre professionals. mer., 05 févr. 2025 12:11:02 +0100 lun., 13 juil. 2026 13:52:10 +0200 http://www.peren-revues.fr/coupdetheatre/806 http://www.peren-revues.fr/coupdetheatre/246 Dunsinane (2010), David Greig’s epic sequel to Shakespeare’s Macbeth, explores the aftermath of a tyrant’s death in 11th century Scotland, speculating on the reconstruction of a nation. Translated by Pascale Drouet, the play was premiered in France, January 2020, in Baptiste Guiton’s pungent production at the Théâtre National Populaire, Villeurbanne. In the wake of this powerful poetical performance, Christine Kiehl and Michèle Vignaux (Université lyon 2, France) collected a series of essays by international scholars on Dunsinane and the rewritings of Macbeth. This volume offers perspectives on David Greig’s Dunsinane, exploring such motifs as disaster, children’s voices, Lady Macbeth’s figure, and Machiavellian power. Twentieth and twenty-first centuries rewritings of Macbeth are under scrutiny in Heiner Müller’s Macbeth (d’après Shakespeare) (1971), Purcarete’s Ubu Rex avec des scenes de Macbeth, (2020) and cinema adaptations (House of Cards (2013-18) and Vice (2018). Coup de Théâtre is a unique combination of theory and experience from the page to the stage with studies of recent French and Greek productions of Macbeth, and the participation of actress Clara Simpson and stage director Sylvain Menges. lun., 13 janv. 2025 14:07:29 +0100 lun., 13 juil. 2026 11:42:13 +0200 http://www.peren-revues.fr/coupdetheatre/246 http://www.peren-revues.fr/coupdetheatre/72 This volume means to articulate contemporary performance with the dynamics of gender, sexuality and racial productions. It confronts the politics of representation by combining plural approaches of minoritized groups to hear out a multitude of voices fracturing hegemonic oppressive constructions. The contributors explore a wide range of forms and themes that yield complex performances of what it can mean to crisscross identities and identifications in novel manners. From theater history (staging of US playwrights in France or Armenian documentary theater in New York City) to the deciphering of the effects of Black queer rap through lyrics, videos and social media by way of the traditional stage, like improv theater and queer theater. It becomes clear that a dynamic politics of representation can only emerge from a transdisciplinary approach, as in this volume with the conceptual hybridizing of philosophy, history, sociology, politics, media studies and, of course, theater and performance studies. Included in this issue, two interviews—one with a major US theater scholar, the other with an emerging theater maker—prolong how theater has and continues to produce confluences of experiences through personal, intimate and expert voices. The play published here for the first time enriches greatly the meaning of contemporary drama through a metatheatrical voyage through queer lives. Finally, the publication of the RADAC Master’s Prize provides an apt afterword by decentering the issue and by taking us into the deeply socially-conscious world of Edward Bond. mer., 18 déc. 2024 08:38:12 +0100 lun., 13 juil. 2026 11:33:23 +0200 http://www.peren-revues.fr/coupdetheatre/72