http://www.peren-revues.fr/coupdetheatre/826 This essay will concentrate on the contemporary British plays that have recently been staged in France and in French and, while focusing on the reasons behind the French stage directors’ choices, I will try to elucidate what intrinsic qualities of this imported theatre are revealed when it is appropriated by French directors. Finally, I will consider the extra amount-of-being granted to the original by the “devenir-French” of the play. Numéros Crossing Borders: Anglophone Theatre in Europe Part Two: National Stages fr ven., 07 févr. 2025 10:27:29 +0100 mer., 08 juil. 2026 12:21:10 +0200 http://www.peren-revues.fr/coupdetheatre/826 0