http://www.peren-revues.fr/coupdetheatre/836 This essay proposes an examination of the role of Anglophone theatre produced in translation by the Czech National Theatre since 2000. Setting aside work by Shakespeare and plays from earlier historical periods, it will concern itself with productions of modern and contemporary work. Drawing on the theatre’s archives, the first part of the essay will survey the presence of work of Anglophone provenance in the repertoire and the theatre’s programming decisions. The second part will investigate specific case studies, in order to explore the ways in which the work has been artistically interpreted and critically received. Case studies will treat the following productions: Tom Stoppard’s Rock’n’Roll (premiere: 2007), Mike Bartlett’s Earthquakes in London / Zemětřesení v Londýně (premiere: 2015) and Caryl Churchill’s Love and Information / Láska a Informace (premiere: 2016). Numéros Crossing Borders: Anglophone Theatre in Europe Part Two: National Stages fr ven., 07 févr. 2025 16:07:10 +0100 mer., 08 juil. 2026 14:00:47 +0200 http://www.peren-revues.fr/coupdetheatre/836 0