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    <title>Livy</title>
    <link>https://www.peren-revues.fr/eugesta/1070</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>Scenarios of Sulpiciae: moral discourses and immoral verses</title>
      <link>https://www.peren-revues.fr/eugesta/1121</link>
      <description>This discussion examines literary depictions of several Roman women who shared a name, and presumably membership in the same aristocratic family, with the Augustan elegist Sulpicia: by Livy in 39.8-10, in his account of the Bacchanalian conspiracy in 186 BCE; by Valerius Maximus, in an episode dated to 43/42 BCE that is also related by Appian at BC 4.39; and by Valerius Maximus again at 8.15.12, in an episode dated to the third century BCE that is also related in part by the elder Pliny in NH 7.120, and treated by Ovid at Fasti 2.157-160. It considers how these scenarios featuring these other Sulpiciae, mostly by authors with a moralizing message, help to contextualize the eleven Sulpicia elegies and their later Roman reception. It also considers why Ovid, who seems to have known Sulpicia and her work, never refers to a contemporary female elegist of this name. </description>
      <pubDate>lun., 20 juin 2022 10:33:55 +0200</pubDate>
      <lastBuildDate>mer., 08 mars 2023 10:25:25 +0100</lastBuildDate>
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      <title>Perspectives On and Of Livy’s Tarpeia</title>
      <link>https://www.peren-revues.fr/eugesta/1069</link>
      <description>This essay examines the exemplary force of the women in Livy’s first book. A close reading of the Tarpeia and Horatia episodes reveals that Livy does not permit his reader to come to any firm conclusion about the moral lesson these stories offer. On the contrary: the historian emphasizes the indeterminacy of these episodes in two ways. First, Livy positions Tarpeia and Horatia both as Roman daughters and as potential allies to the foreign men who claim their allegiance; they thus are simultaneously insiders and outsiders and assist Rome’s assimilation of others while also threatening Rome’s integrity. Second, Livy mentions multiple and conflicting versions of the stories themselves, leaving it to the reader to choose and construct a narrative. Like Tarpeia and Horatia, Livy’s readers are faced with a fragmented and fragmentary picture that resists exemplary categorization as good/imitable or bad/inimitable. </description>
      <pubDate>jeu., 16 juin 2022 09:31:45 +0200</pubDate>
      <lastBuildDate>ven., 24 févr. 2023 14:28:27 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/eugesta/1069</guid>
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