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    <title>Sulpicia</title>
    <link>https://www.peren-revues.fr/eugesta/688</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
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      <title>Optima tu proprii nominis auctor: The semantics of female authorship in ancient Rome, from Sulpicia to Proba</title>
      <link>https://www.peren-revues.fr/eugesta/685</link>
      <description>This paper explores evidence for female authorship terminology in extant poetic texts written in Latin by women. It begins by first considering male authorship in Latin literature, before moving on to three case studies of women’s writing: an elegy by Sulpicia, an anonymous graffito from Pompeii, and the Virgilian cento of Proba. By foregrounding the ‘subversive mask’ of female poetic speech in Rome, the paper uncovers a subtextual rhetoric of authorship where female poets both respond to and subvert male authorship paradigms. It thus argues for the importance of analyzing authorship terminology in Latin literature through the lens of gender. </description>
      <pubDate>mar., 14 juin 2022 09:09:44 +0200</pubDate>
      <lastBuildDate>ven., 08 déc. 2023 10:09:38 +0100</lastBuildDate>
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    <item>
      <title>Scenarios of Sulpiciae: moral discourses and immoral verses</title>
      <link>https://www.peren-revues.fr/eugesta/1121</link>
      <description>This discussion examines literary depictions of several Roman women who shared a name, and presumably membership in the same aristocratic family, with the Augustan elegist Sulpicia: by Livy in 39.8-10, in his account of the Bacchanalian conspiracy in 186 BCE; by Valerius Maximus, in an episode dated to 43/42 BCE that is also related by Appian at BC 4.39; and by Valerius Maximus again at 8.15.12, in an episode dated to the third century BCE that is also related in part by the elder Pliny in NH 7.120, and treated by Ovid at Fasti 2.157-160. It considers how these scenarios featuring these other Sulpiciae, mostly by authors with a moralizing message, help to contextualize the eleven Sulpicia elegies and their later Roman reception. It also considers why Ovid, who seems to have known Sulpicia and her work, never refers to a contemporary female elegist of this name. </description>
      <pubDate>lun., 20 juin 2022 10:33:55 +0200</pubDate>
      <lastBuildDate>mer., 08 mars 2023 10:25:25 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/eugesta/1121</guid>
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