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    <title>Latin love elegy</title>
    <link>https://www.peren-revues.fr/eugesta/772</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
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      <title>‘Greek’ love at Rome: Propertius 1.20 and the reception of Hellenistic verse</title>
      <link>https://www.peren-revues.fr/eugesta/766</link>
      <description>This paper analyses the homoerotic aspect of Propertius 1.20 and its presentation of the myth of Hylas, the lost beloved of Hercules. It argues that Propertius reacts to the portrait of ‘Greek love’ that is found in the two surviving lengthy versions of this myth in Apollonius’ Argonautica and Theocritus’ Idylls, increasing the homoerotic ambience of the myth and encouraging his readers to look back to his models for traces of the approach that he himself takes. It also interrogates Propertius’ domestication of his Greek models’ narratives in a contemporary Roman and particularly elegiac context, and argues that the poem is better integrated into Propertius’ elegiac universe than is often acknowledged. </description>
      <pubDate>mar., 14 juin 2022 09:13:20 +0200</pubDate>
      <lastBuildDate>jeu., 09 mars 2023 16:27:00 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/eugesta/766</guid>
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      <title>Scenarios of Sulpiciae: moral discourses and immoral verses</title>
      <link>https://www.peren-revues.fr/eugesta/1121</link>
      <description>This discussion examines literary depictions of several Roman women who shared a name, and presumably membership in the same aristocratic family, with the Augustan elegist Sulpicia: by Livy in 39.8-10, in his account of the Bacchanalian conspiracy in 186 BCE; by Valerius Maximus, in an episode dated to 43/42 BCE that is also related by Appian at BC 4.39; and by Valerius Maximus again at 8.15.12, in an episode dated to the third century BCE that is also related in part by the elder Pliny in NH 7.120, and treated by Ovid at Fasti 2.157-160. It considers how these scenarios featuring these other Sulpiciae, mostly by authors with a moralizing message, help to contextualize the eleven Sulpicia elegies and their later Roman reception. It also considers why Ovid, who seems to have known Sulpicia and her work, never refers to a contemporary female elegist of this name. </description>
      <pubDate>lun., 20 juin 2022 10:33:55 +0200</pubDate>
      <lastBuildDate>mer., 08 mars 2023 10:25:25 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/eugesta/1121</guid>
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