L’acteur de cinéma : une figure de la destitution

This article aims to show that the actor is a figure of the dismissal. First, it highlights that the actor is dismissed from his sensitive being, his role as an interpreter, and his real personality. However, it insists that, at the same time, the actor has the power to dismiss the economical and mediatic system which makes him exist. The actress and star Marylin Monroe crystalizes that in her personal, professional, and public life.