https://www.peren-revues.fr/revue-k/1023 The performance Medea material by Mapa Teatro (1991) stages Heiner Müller’s re-writing of the Medea myth, Despoiled Shore Medeamaterial Landscape With Argonauts. I analyse Mapa Teatro’s new montage of Müller’s text while also focusing on the aesthetics of this hybrid musical-theatrical performance, which challenge the (Western) theatrical reference. Using a decolonial perspective, I discuss how text and performance relate to colonial tensions and resonate with decolonial epistemologies. Numéros Medea and the laceration of Care Readings fr jeu., 18 janv. 2024 10:02:33 +0100 jeu., 18 janv. 2024 10:06:31 +0100 https://www.peren-revues.fr/revue-k/1023 0