https://www.peren-revues.fr/revue-k/1043 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1040 This essay engages with Franca Rame’s re-writing and performance of the myth of Medea through the lens of an Agambean theoretical framework. More specifically, I put Rame’s Medea in dialogue with two of her other “obscenely tragic” monologues, Maria alla croce (from Dario Fo’s Mistero Buffo), and Io, Ulrike grido, to show how the Italian playwright/actress envisions the destituent power of a female subjectivity that she re-imagines as a “perpetually construed and constructable” process. jeu., 18 janv. 2024 13:36:07 +0100 jeu., 18 janv. 2024 13:36:22 +0100 https://www.peren-revues.fr/revue-k/1040