https://www.peren-revues.fr/revue-k/1131 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1142 This essay examines how the films of Spike Lee dismantle certain stereotypes related to black people, demonstrating that an alternative thought and identity may represent an enrichment for the majority, and not just a source of fear or derision. I will consider Lee’s Girl 6 (1996), Bamboozled (2000) and BlaKkKlansman (2018). The aforementioned movies have been particularly effective in overturning the rhetorical mechanisms linked to the Savage, Coon and Victim models in American entertainment. mer., 24 janv. 2024 13:54:54 +0100 mar., 02 avril 2024 10:48:02 +0200 https://www.peren-revues.fr/revue-k/1142 https://www.peren-revues.fr/revue-k/1125 This article is about the paradoxical relationship of Malcolm X to Western philosophy. Throughout his Autobiography, Malcolm appears not only as an activist, as a revolutionary or revolutionist, but as some sort of a street (plebeian) philosopher assiduous in problematizing his own trajectory, his experience, his ordeals and his metamorphosis – a typically philosophical gesture. He refers to the Western philosophy he has become familiar with in prison, but he has to reinvent it completely so that he can make it its own, part of his « dream ». Therefore, he fantasizes about an « Oriental Socrates », a « Black Spinoza ». Philosophy is made of many more things than just academics, books and seminars. This is what Malcolm’s appropriation/hybridization of Western philosophy shows. mer., 24 janv. 2024 11:32:54 +0100 mer., 24 janv. 2024 11:33:14 +0100 https://www.peren-revues.fr/revue-k/1125