https://www.peren-revues.fr/revue-k/1263 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1262 The real according to Lucretius refuses the theater, it defies the powers of the theater and its apparatus: how can one give a theatrical account of the invisible vortex of atoms? How can one be a spectator of this vortex without being a god? How can one experience the shocks of the atoms, the unfounding Nature collectively? This article proposes to consider, through the analysis of Maguy Marin's performance Turba, the ways in which the theater can help us perceive the unfounding Nature and what political experiences can emerge from this sensory and philosophical experience. ven., 09 févr. 2024 09:32:28 +0100 jeu., 22 févr. 2024 14:20:06 +0100 https://www.peren-revues.fr/revue-k/1262