https://www.peren-revues.fr/revue-k/1317 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1316 This article considers Kazimir Malevich's Suprematist Composition: White on White, painted in 1918 (Moma, New-York), in relation to Herman Melville's novel Moby-Dick, and more specifically to the white whale that constitutes its focal point. The white square and the white whale are destituting entities, one of painting, the other of literature, by their whiteness and materiality. But the destitution that they generate is a first step to access a higher dimension. mar., 02 avril 2024 11:41:59 +0200 mar., 02 avril 2024 11:42:16 +0200 https://www.peren-revues.fr/revue-k/1316