https://www.peren-revues.fr/revue-k/134 Publications de Auteurs Pierandrea Amato fr 0 https://www.peren-revues.fr/revue-k/1616 This contribution examines the figure of Abraham as portrayed by Kierkegaard in Fear and Trembling. The intention is to show that Abraham can evoke a paradoxical political depth in Kierkegaard’s philosophy linked to the experience of the impossible. sam., 17 janv. 2026 20:06:59 +0100 dim., 18 janv. 2026 22:04:35 +0100 https://www.peren-revues.fr/revue-k/1616 https://www.peren-revues.fr/revue-k/1448 The contribution considers the beauty of Helen under the category of the sublime. This perspective allows us to consider that there is an impossible foundation to the Trojan War, a void that reveals that perhaps even in the Iliad a reason for war is missing. Euripides, in the tragedy Helen, radicalizes this trait, taking Helen to the realm of the dead, for a radical destruction-regeneration of her image. dim., 26 janv. 2025 15:52:29 +0100 dim., 26 janv. 2025 16:08:58 +0100 https://www.peren-revues.fr/revue-k/1448 https://www.peren-revues.fr/revue-k/986 The contribution presents Nietzsche’s critique of Euripides and considers whether it can also be applied to the case of Medea. In particular, it tests whether a possible, paradoxical political charge of the priestess of Colchis, linked to the theme of exile, is not able to carry Euripides’ tragedy beyond the boundaries of the polis. mar., 16 janv. 2024 11:33:09 +0100 jeu., 15 févr. 2024 10:18:35 +0100 https://www.peren-revues.fr/revue-k/986 https://www.peren-revues.fr/revue-k/924 Addressing in particular the first three chapters, the contribution undertakes to reveal how the text, Le Avventure di Pinocchio, represents an unsuspected revolt against kings, sovereigns and more generally the figure of the father. It is done through the use of irony and more generally by distancing itself from the logic of identity. lun., 15 janv. 2024 11:48:45 +0100 lun., 15 janv. 2024 11:49:02 +0100 https://www.peren-revues.fr/revue-k/924 https://www.peren-revues.fr/revue-k/762 The contribution seeks to think of Malevič’s painting, thought, and gesture as a revolutionary threshold between destruction and destitution. For this reason, it investigates some theses from one of his 1921 essays, Inaction. ven., 12 janv. 2024 15:30:31 +0100 jeu., 15 févr. 2024 15:27:41 +0100 https://www.peren-revues.fr/revue-k/762 https://www.peren-revues.fr/revue-k/419 The contribution aims at outlining the main characteristics of a Spartacist politics in the light of the 1919 Berlin uprising, trying to demonstrate that its role goes beyond any determined historical event. The essay discusses the theses of Furio Jesi and Walter Benjamin. At the same time it investigates the film dedicated by Stanley Kubrick to Spartacus. jeu., 30 nov. 2023 10:32:40 +0100 mar., 13 févr. 2024 09:34:25 +0100 https://www.peren-revues.fr/revue-k/419 https://www.peren-revues.fr/revue-k/242 This paper means to examine the theoretical and visual trait of Jean-Luc Godard’s Adieu au langage (2014). The movie questions the efficacy of language for the orienting of the gaze. The matter is that the poverty of language can be pursued but cannot be obtained from within the language itself. On the contrary, the dog, the actual leading character of Godard’s movie, is not naked since he cannot help but be naked. In this sense, one can affirm that the appearances of the dog in Adieu au language represent the reversal of Franz Kafka’s Investigations of a Dog (1922, posthumously published in 1931). Whilst Kafka is the writer who approaches more closely the impersonality of the images, the dog “imprisoned” in his book never accomplishes the “goodbye to language”. After all, Kafka’s dog is identical to the woman undressing and dressing herself in the sitting room in Godard’s movie. mer., 29 nov. 2023 10:39:19 +0100 mar., 13 févr. 2024 09:20:37 +0100 https://www.peren-revues.fr/revue-k/242 https://www.peren-revues.fr/revue-k/133 mar., 28 nov. 2023 11:45:02 +0100 ven., 19 janv. 2024 15:22:31 +0100 https://www.peren-revues.fr/revue-k/133 https://www.peren-revues.fr/revue-k/92 The essay attributes to the figure of Antigone a destituent power capable of sovverting a idea of politics based on death. In this sense, Antigone looks like not only as anti-dialectical figure, but as political figure too; in fact, she is not fighting against the Creon, as Hegel declares, she is leaving rather the weight of its violence: Antigone is not against power but she is far from it. In this way she shows to the chorus - the people of Thebes - her uncle’s tyrannical power. mar., 28 nov. 2023 11:12:55 +0100 ven., 19 janv. 2024 15:19:44 +0100 https://www.peren-revues.fr/revue-k/92