https://www.peren-revues.fr/revue-k/135 Publications de Auteurs Dario Cecchi fr 0 https://www.peren-revues.fr/revue-k/1238 In Hans Blumenberg's investigation of the Lucretian metaphor of the shipwreck with a spectator, a reflection on the sublime is absent. Through a rereading of Leopardi's The Infinite in the light of this metaphor, we want to show that the feeling of the sublime necessarily enters into the consideration of life as a shipwreck. This perspective brings us back to the anthropological turning point of the late Blumenberg in the passage from the notion of "absolute metaphor" to that of "metaphor of existence". jeu., 08 févr. 2024 11:04:50 +0100 mar., 02 avril 2024 10:10:50 +0200 https://www.peren-revues.fr/revue-k/1238 https://www.peren-revues.fr/revue-k/156 Antigon is a figure which inspired Modern Philosophy since Hegel and Hölderlin, up to 20th-century interpretations, such as those proposed by Heidegger and Bultmann – the latter emphasizing even the broadly speaking theological relevance of this figure. In the present article, we shall focus on two contemporary readings of Sophocles’ tragedy inspired by this Greek mythological figure – the first concerning a movie, L’intrusa (Leonardo Di Costanzo, 2017), and the second conerning a theater representation (Federico Tiezzi, 2018). In the former case, the movie is actually not immediately inspired by this tragic figure. It seems, however, to be profoundly bound to its political meaning. Giovanna and Rita, the two protagonists, can be seen as two different Antigones: on the one hand, the latter claims for hospitality and fogiveness to the enemy like the Classical Antigone; on the other hand, the former creates a realm where justice reigns, while being not able, however, to gramt hospitality to the enemy for this very reason, since she has to protect her own community. In Tiezzi’s representation, the ethical themes of the tragedy emerges more clearly. The tension is created here between Antigone and Tiresias – the former being the victim, while the latter is the prophet who recalls the king and the community to the their ethics. Tiezzi is more radical than Di Costanzo: there is no space for an even corrupted political space after the death of the collective ethics. mar., 28 nov. 2023 14:21:11 +0100 mar., 13 févr. 2024 09:22:48 +0100 https://www.peren-revues.fr/revue-k/156 https://www.peren-revues.fr/revue-k/133 mar., 28 nov. 2023 11:45:02 +0100 ven., 19 janv. 2024 15:22:31 +0100 https://www.peren-revues.fr/revue-k/133