https://www.peren-revues.fr/revue-k/137 Publications de Auteurs Alessia Cervini fr 0 https://www.peren-revues.fr/revue-k/1578 In Pier Paolo Pasolini’s La rabbia, images of the atomic bomb appear three times. The essay questions the significance of these three occurrences in Pasolini’s editing work, starting with archive images from a “Mondo Libero” newsreel, which had ended its activity a few years before the film was made. The hypothesis is that the atomic bomb represents for Pasolini a confirmation of the opposition between history and myth and that it is an opportunity to experiment with a new cinematic form. mer., 09 juil. 2025 14:40:02 +0200 mer., 09 juil. 2025 14:40:02 +0200 https://www.peren-revues.fr/revue-k/1578 https://www.peren-revues.fr/revue-k/961 “Who is Pinocchio?” Around this question goes this contribution aimed at exploring the relationship that Collodi's novel has with the cinematographic dimension. In particular, this article is inspired by the latest film version of Pinocchio, edited by Matteo Garrone. The remarkable adherence to the spirit that runs through Collodi's text makes Garrone's work one of the most representative of the contemporary film scenario. lun., 15 janv. 2024 12:15:51 +0100 mar., 13 févr. 2024 11:24:56 +0100 https://www.peren-revues.fr/revue-k/961 https://www.peren-revues.fr/revue-k/719 The essay aims to reconstruct the relationship between Malevič and Ejzenštejn toward their essays on cinema and picture. By examining the words of two important actor of art life in post-revolutionary Russia, the essay lets emerge two different conception of art and its tasks in the newborn communist society. jeu., 11 janv. 2024 12:02:27 +0100 jeu., 15 févr. 2024 15:01:21 +0100 https://www.peren-revues.fr/revue-k/719 https://www.peren-revues.fr/revue-k/352 jeu., 30 nov. 2023 09:21:51 +0100 lun., 12 févr. 2024 15:18:15 +0100 https://www.peren-revues.fr/revue-k/352 https://www.peren-revues.fr/revue-k/301 The Misfits (Huston, 1961) is the last film interpreted by Marilyn Monroe. The film is a precious observation point to analyze the triple figure of Marilyn Monroe: the character, the actress, the woman. The Misfits is the clear attempt to deconstruct the image of a diva, through the crisis of her own character. This is the condensed artistic and creative parable of Marilyn Monroe and, simultaneously, the most obvious sign of the end of the great Hollywood film industry. mer., 29 nov. 2023 11:54:49 +0100 ven., 09 févr. 2024 15:48:25 +0100 https://www.peren-revues.fr/revue-k/301 https://www.peren-revues.fr/revue-k/133 mar., 28 nov. 2023 11:45:02 +0100 ven., 19 janv. 2024 15:22:31 +0100 https://www.peren-revues.fr/revue-k/133