https://www.peren-revues.fr/revue-k/152 Publications de Auteurs Mariavita Cambria fr 0 https://www.peren-revues.fr/revue-k/1116 mer., 24 janv. 2024 09:42:05 +0100 mer., 14 févr. 2024 15:45:08 +0100 https://www.peren-revues.fr/revue-k/1116 https://www.peren-revues.fr/revue-k/1107 By taking as its starting point Sojouner Truth’s speech, “Ain’t I women” (1851), commonly recognized as the funding anti-slavery female speech, the paper investigates the sedimentation of some linguistic features in Truth speech and in Rosa Parks autobiography. In particular, the looks at the role played by language in the framework of the intersectional approach (Crenshaw, 1989) which is acknowledged for its potential to map hierarchies of power and priviledge. lun., 22 janv. 2024 15:44:15 +0100 mer., 14 févr. 2024 14:50:29 +0100 https://www.peren-revues.fr/revue-k/1107 https://www.peren-revues.fr/revue-k/1005 mer., 17 janv. 2024 10:32:05 +0100 jeu., 15 févr. 2024 10:41:11 +0100 https://www.peren-revues.fr/revue-k/1005 https://www.peren-revues.fr/revue-k/150 The paper explores three versions of Antigone staged in Ireland in 1984: Antigone: The Riot Act by Tom Paulin; Antigone: a version by Brendan Kennelly and Antigone by Carl Aidan Mathews. Rewriting, adapting or translating classics can represent a counterdiscoursive strategy used in crucial moment of a country’s history. In the three Irish plays Antigone’s persona springs out of the confrontation/opposition with both Creon (the institutional opponent) and Ismene (a sort of Antigone’s double). In the framework of Ireland as a postcolonial context, the paper investigates how this confrontation/opposition fits in Irish politics in the 80s. mar., 28 nov. 2023 14:18:03 +0100 mar., 13 févr. 2024 09:22:40 +0100 https://www.peren-revues.fr/revue-k/150