https://www.peren-revues.fr/revue-k/1641 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1640 This article offers a rereading of Søren Kierkegaard’s philosophical work through the lens of what we call an aesthetics of effacement, understood as a strategy for putting the speaking subject and its claim to truth into crisis. In contrast to systematic philosophy, which authorizes discourse through a stable and transparent subject, Kierkegaard deploys a plurality of pseudonyms, discursive registers, and literary forms that deconstruct the unity of the author and disorient the reader. Far from being a mere stylistic device, this structure responds to an ethical demand: to make thought an existential experience, where truth can only be expressed indirectly—through the withdrawal of the subject and the suspension of any doctrinal authority. Using a hermeneutical method inspired by existential phenomenology and deconstruction (notably through Derrida and Levinas), the analysis focuses on The Sickness Unto Death, Fear and Trembling, and The Concept of Anxiety. These texts illustrate how Kierkegaard conceives existence as a dispossession of the self and speech as a tension between silence and truth. The result is a radical redefinition of philosophy—not as the discourse of truth spoken by a grounded subject, but as the shaping of a lived, fragmentary, and anonymous truth that escapes both speaker and listener.- sam., 17 janv. 2026 21:09:08 +0100 sam., 17 janv. 2026 21:09:08 +0100 https://www.peren-revues.fr/revue-k/1640