https://www.peren-revues.fr/revue-k/1698 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1697 This article examines Robert Bresson’s concept of the “cinematograph” as a practice aimed at revealing inner movement and spiritual action beyond psychology. Through Diary of a Country Priest, A Man Escaped, and Pickpocket, it highlights aesthetic reduction, rhythm, and gesture as forms of a “physics of the soul”, read in dialogue with Kierkegaard’s philosophy of faith, choice, and the paradoxical leap that opens a new temporality through Grace. dim., 18 janv. 2026 20:00:54 +0100 dim., 18 janv. 2026 20:00:54 +0100 https://www.peren-revues.fr/revue-k/1697