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    <title>Destituent power</title>
    <link>https://www.peren-revues.fr/revue-k/173</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>Pour la définition d’une cosmo-politique destituante</title>
      <link>https://www.peren-revues.fr/revue-k/787</link>
      <description>A new theorization of the power enables Bruno to think of the infinite: the infinite gives a changing open multiple character to the universe. Bruno brings forward an idea of nature as a continuous production, that makes each form becoming a different one in an everlasting rhythm, which he calls “vicissitude”. How to imagine the human world in this infinite universe, agitated on all sides and in continuous evolution? Thanks to a reform of imagination, Bruno thinks of some “civil” institutions able to take in consideration the temporary and metamorphic status of nature and man. According to us, these institutions appear as a “destituent power”. </description>
      <pubDate>lun., 15 janv. 2024 08:39:37 +0100</pubDate>
      <lastBuildDate>mar., 13 févr. 2024 10:28:03 +0100</lastBuildDate>
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    <item>
      <title>Nella tana della metafora assoluta</title>
      <link>https://www.peren-revues.fr/revue-k/176</link>
      <description>In the short story The Burrow, Kafka gives us one of the most precise descriptions of his conception of literature and encrypts at the same time a radical confrontation with the most important historical event of his time. As synthesis of a poetology of the absolute metaphor and of a radical confrontation with the end of the story represented by the Great War, this text is an example of the possibilities of a destituent conception of literature. </description>
      <pubDate>mar., 28 nov. 2023 14:55:50 +0100</pubDate>
      <lastBuildDate>lun., 12 févr. 2024 14:35:37 +0100</lastBuildDate>
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    <item>
      <title>Fragments pour une lecture destituante de Kafka</title>
      <link>https://www.peren-revues.fr/revue-k/170</link>
      <description>In what sense can we say that the Great War represents a turning point in Kakfa's work? What connection does Kafka, the dweller of the cellar, the animal of the woods, bear with history? His continually present interiority isn't it also a way, the only possible, of facing the outside world and his times? We would like to demonstrate that his literary activity is also connected with the search for a future community, real and yet always impossible. </description>
      <pubDate>mar., 28 nov. 2023 14:47:11 +0100</pubDate>
      <lastBuildDate>lun., 12 févr. 2024 13:54:05 +0100</lastBuildDate>
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      <title>Rosa Luxemburg, divenire-donna di Spartaco, o su una politica comunista a venire</title>
      <link>https://www.peren-revues.fr/revue-k/429</link>
      <description>In 73 B.C., the slaves rose up in Rome. This revolt founded a new myth for posterity, the War of the Poor, epitomized by a name: Spartacus. Two thousand years later, Spartacus reappears in Germany. To oppose the war. To determine another course of events. The return of the myth of Spartacus provides a revolutionary becoming for the German communists. The hypothesis of these pages is that, during the meeting with Rosa Luxemburg, Spartacus also experiences several metamorphosis. There is perhaps a becoming-woman of Spartacus. Certainly there are in the pages of Luxemburg leads for another communism to come. </description>
      <pubDate>jeu., 30 nov. 2023 10:40:58 +0100</pubDate>
      <lastBuildDate>ven., 09 févr. 2024 15:29:16 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/429</guid>
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