https://www.peren-revues.fr/revue-k/1744 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1741 In the passage from Tasso’s literary apparatus to Bragaglia’s cinematic one, Clorinda emerges as an excessive and resistant figure. Through Sylva Koscina’s bodily performativity, the construction of the gaze, and the tension between exhibition and reticence, the film amplifies the contradictions already present in the poem, presenting Clorinda as a disidentified subjectivity, irreducible to binary paradigms and to the disciplinary technologies that seek to regulate her body, role, and visibility. lun., 06 juil. 2026 16:29:31 +0200 lun., 06 juil. 2026 16:29:31 +0200 https://www.peren-revues.fr/revue-k/1741