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    <title>Clorinda</title>
    <link>https://www.peren-revues.fr/revue-k/1758</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>Introduzione a Clorinde, ou l’amante tuée par son amant (1597) di anonimo</title>
      <link>https://www.peren-revues.fr/revue-k/1792</link>
      <description>We publish here a complete transcript of the French novel Clorinde, ou l’amante tuée par son amant (1597) by anonymous, according to the copy preserved in the Bibliothèque de l’Arsenal in Paris. It is one of the first French adaptations of Tasso’s Liberata as a novel, and especially the first in which Clorinda reciprocates Tancredi’s feelings for her, transforming Tasso’s tragic plot into a more sentimental one. This change would be kept also in later adaptations, testifying the preference of the French audience for a romantic reading of Tasso. </description>
      <pubDate>jeu., 09 juil. 2026 19:13:23 +0200</pubDate>
      <lastBuildDate>lun., 20 juil. 2026 16:33:35 +0200</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/1792</guid>
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    <item>
      <title>Da Marfisa a Clorinda: metamorfosi e crisi della donna guerriera tra Rinascimento e Controriforma</title>
      <link>https://www.peren-revues.fr/revue-k/1783</link>
      <description>The essay compares two celebrated female warriors of Renaissance poems: Marfisa and Clorinda. Both are marked by an inner contradiction, yet while Marfisa remains manageable and integrable within the chivalric order, Clorinda generates a crisis that cannot be absorbed and can be resolved only through death and the final baptism. The divergence between these two figures reflects the shift from the ideological horizon of the Renaissance to that of the Counter-Reformation. </description>
      <pubDate>lun., 06 juil. 2026 17:56:59 +0200</pubDate>
      <lastBuildDate>ven., 17 juil. 2026 12:54:30 +0200</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/1783</guid>
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