https://www.peren-revues.fr/revue-k/1795 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1794 The death of Clorinda and her baptism mark the restoration of order and boundaries in La Gerusalemme liberata. In Il Combattimento, based on Monteverdi’s madrigal Il Combattimento di Tancredi e Clorinda and Tasso’s epic poem, Castellucci – rather than treating it as the climax of a narrative plot – transforms it into a threshold opening onto a reality in which the character persists as an incorporeal voice. This article aims to explore the powers of this incorporeal voice – capable of undermining the very foundations of the world – through an analysis of Castellucci’s production. jeu., 09 juil. 2026 19:40:34 +0200 ven., 10 juil. 2026 00:13:04 +0200 https://www.peren-revues.fr/revue-k/1794