https://www.peren-revues.fr/revue-k/214 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/540 It has been said a lot that the character of the Tramp was a dancer, but how could we define his choreographic style more precisely? The Tramp is actually torn between two types of dance: classical dance with a geometric character, and contemporary dance that works more with the laws of mechanics (gravity, inertia,...). Thus, the Tramp’s dancing gesture leads him from academism and a desire for mastery to the elaboration, with a set of physical phenomena, of a more uncontrolled movement. mar., 02 janv. 2024 16:18:24 +0100 mar., 11 févr. 2025 14:02:06 +0100 https://www.peren-revues.fr/revue-k/540 https://www.peren-revues.fr/revue-k/206 The quests pursued by Kafka's narrators are true investigations in which they engage with their whole body. In "Investigations of a Dog" or "The Burrow", we follow, from the inside, mutations as much behavioural as psychological and reflexive, generated by the relation to a fantasized otherness. In the same movement, Kafka also seems to describe, from the outside, a humanity whose moral foundations are shaking and whose specificity is becoming more and more uncertain. Precisely, provoking this disorder is also the aim of the Russian artist Oleg Kulik, who, by adopting the point of view of a dog offers the image of a strange and yet familiar bestiality to an unsettled public. mer., 29 nov. 2023 09:49:08 +0100 lun., 12 févr. 2024 14:37:51 +0100 https://www.peren-revues.fr/revue-k/206 https://www.peren-revues.fr/revue-k/320 Marilyn Monroe, an actress on its own, did well on theatre as well. She was indeed the heroin of numerous plays, and was “embodied” by various actresses. What is the point of putting a film star on the boards? Is it to offer her some kind of artistic redemption? What about her charismatic and so well-known body, thus transferred into another one, living, and offered anew to renewed male and female gazes? jeu., 30 nov. 2023 08:44:35 +0100 ven., 09 févr. 2024 15:49:48 +0100 https://www.peren-revues.fr/revue-k/320