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    <title>mimesis</title>
    <link>https://www.peren-revues.fr/revue-k/266</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>Verso Jane Avril</title>
      <link>https://www.peren-revues.fr/revue-k/1368</link>
      <description>The article proposes some possible approaches to the figure of Jane Avril, starting from some of Walter Benjamin’s categories. An interpretation based on Benjamin’s theory of language is proposed for the gesture of dance that gives Jane Avril her name. Although Benjamin’s reference to the Paris in which Jane Avril performs remains crucial, the key to the reading suggested here refers above all to concepts such as “Entsetzen”, “pure mediality”, “mimesis” and “shame”, to explore if and how Jane Avril’s “language” is related to a possible theory of “destituent potentiality”. </description>
      <pubDate>mer., 26 juin 2024 10:07:52 +0200</pubDate>
      <lastBuildDate>mar., 29 oct. 2024 09:51:48 +0100</lastBuildDate>
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    <item>
      <title>Regards croisés. Kafka, le cadre et la chambre</title>
      <link>https://www.peren-revues.fr/revue-k/261</link>
      <description>The reading of Kafka's work highlights his attention to architectural language. From &quot;the room&quot; that characterizes The metamorphosis, through the recurrence of &quot;doors&quot; and &quot;windows&quot;, architecture becomes one of the principal elements that link narrative representation to the outside world. This is why we propose a cross reading of his work starting from two different but complementary texts: first, Michelle Perrot's Histoire de chambres (Seuil, 2009), then L'Instauration du tableau, Meta-painting at dawn Modern Times (Droz, 1993) by art historian Victor Stoichita. </description>
      <pubDate>mer., 29 nov. 2023 11:04:28 +0100</pubDate>
      <lastBuildDate>mar., 13 févr. 2024 09:21:08 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/261</guid>
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    <item>
      <title>Malevich in the movies:          Kisses, sensations, or five paradoxes</title>
      <link>https://www.peren-revues.fr/revue-k/724</link>
      <description>The contribution examines         four topics in Malevich’s writings on film: the images of rubbery         eroticism that are striking in Malevich’s discussion of film; the         opposition of dead and alive, attributed to painting and film; the         connection of dynamics and perception and disconnection of mimesis and         perception and the way how Malevich conceptualized it for film and         painting; Malevich’s effort to elaborate a new language of description         for visual and literary phenomena, to find the language that fixes the         transition from visuality to literacy and vice versa. </description>
      <pubDate>ven., 12 janv. 2024 09:13:45 +0100</pubDate>
      <lastBuildDate>ven., 12 janv. 2024 09:14:03 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/724</guid>
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