https://www.peren-revues.fr/revue-k/299 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/630 The contribution proposes to read the conceptual figure of Joan of Arc in the light of the absence of her face delivered to us by history. If her appearance was immediately inscribed in the prophetic order of the sign and, in the process that will condemn her to death, in the juridical order of discourse and in that of history, Bresson’s cinema will be able to consign her image to the void that crosses it. In the editing and automatic voice of the model, Jeanne appear as an infigurable grace that dislocates discourse, politics, history. Starting from the excess that her paradoxical sovereignty constitutes, it will be possible to deconstruct the idea of the people that on her icon, on the historical capture of her event, it has been possible to establish. lun., 08 janv. 2024 12:08:43 +0100 mer., 05 juin 2024 13:57:19 +0200 https://www.peren-revues.fr/revue-k/630 https://www.peren-revues.fr/revue-k/295 In the essay Marilyn’s figure is thought through the reference to the Nymph in Italian Renaissance painting. In particular, my hypothesis is that Marilyn constitutes a posthumous survival of the Nymph. The connection between distant and apparently incommunicable worlds like Ghirlandaio’s and Botticelli’s works and the cinematography of Hollywood is made possible by Aby Warburg’s extraordinary intuition about the existence of a pathos that is a power that circulates between the ages and that, from time to time, finds in the symbols and pictures its different formalizations. Even when they belong to different moments of history, there is a secret but powerful communication among the images of a culture. mer., 29 nov. 2023 11:51:23 +0100 mar., 13 févr. 2024 08:54:20 +0100 https://www.peren-revues.fr/revue-k/295