https://www.peren-revues.fr/revue-k/300 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/295 In the essay Marilyn’s figure is thought through the reference to the Nymph in Italian Renaissance painting. In particular, my hypothesis is that Marilyn constitutes a posthumous survival of the Nymph. The connection between distant and apparently incommunicable worlds like Ghirlandaio’s and Botticelli’s works and the cinematography of Hollywood is made possible by Aby Warburg’s extraordinary intuition about the existence of a pathos that is a power that circulates between the ages and that, from time to time, finds in the symbols and pictures its different formalizations. Even when they belong to different moments of history, there is a secret but powerful communication among the images of a culture. mer., 29 nov. 2023 11:51:23 +0100 mar., 13 févr. 2024 08:54:20 +0100 https://www.peren-revues.fr/revue-k/295 https://www.peren-revues.fr/revue-k/1279 The essay want to find in the poetic work of Pier Paolo Pasolini the vestigia of the lucretian materialism. In Rome, Pasolini find in suburbs a new dimension that enables him to think a non naturalistic nature: the creatures, what power and history removes. Poetry can find their traces and invent a memory of what has no memory, the clinamen, the un-ground, imprevedible borning of something (res) for which it's possible to resist the catastrophe of Neocapitalism. ven., 09 févr. 2024 14:40:35 +0100 ven., 09 févr. 2024 14:41:00 +0100 https://www.peren-revues.fr/revue-k/1279 https://www.peren-revues.fr/revue-k/866 This paper analyzes the role of imagination in the theory of acting and rhetorical texts, comparing them with the writings of Giordano Bruno about memory, in which the imagination has a prime role in finding these theoretical and methodological elements to improve acting techniques. lun., 15 janv. 2024 11:01:33 +0100 lun., 15 janv. 2024 11:01:45 +0100 https://www.peren-revues.fr/revue-k/866