https://www.peren-revues.fr/revue-k/305 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/301 The Misfits (Huston, 1961) is the last film interpreted by Marilyn Monroe. The film is a precious observation point to analyze the triple figure of Marilyn Monroe: the character, the actress, the woman. The Misfits is the clear attempt to deconstruct the image of a diva, through the crisis of her own character. This is the condensed artistic and creative parable of Marilyn Monroe and, simultaneously, the most obvious sign of the end of the great Hollywood film industry. mer., 29 nov. 2023 11:54:49 +0100 ven., 09 févr. 2024 15:48:25 +0100 https://www.peren-revues.fr/revue-k/301 https://www.peren-revues.fr/revue-k/1093 Debunking the stereotype of Rosa Parks as a simple seamstress who unwittingly unleashed the start to the Civil Rights movement, this paper explores some eulogies delivered at her funeral to see how the almost mythological narrative about her merges with the narrative of her as a real person embodying the oxymoron of physical smallness and iconic greatness. The negotiation for social recognition that Parks’ example sparked in 1955 is presented in terms of the representation of space in the eulogies. ven., 19 janv. 2024 14:54:55 +0100 ven., 19 janv. 2024 14:55:12 +0100 https://www.peren-revues.fr/revue-k/1093 https://www.peren-revues.fr/revue-k/889 The essay interprets The Adventures of Pinocchio as a work of morphological instability. To this end, while acknowledging the importance of the pedagogical intention from which Collodi could move, the work presents evidence relating to the stylistic level (§ 1), the narrative organization (§ 2) and the figural construction of the conclusive sequence (§ 3). The analysis of these three levels confirms that the metamorphism so characteristic of the Collodian protagonist cannot be reduced to a teleological determinism. lun., 15 janv. 2024 11:37:51 +0100 lun., 15 janv. 2024 11:38:04 +0100 https://www.peren-revues.fr/revue-k/889