https://www.peren-revues.fr/revue-k/311 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/307 This essay tries to explore the ways opera invents personae of Marilyn Monroe. Actually, the star can be regarded as an equivalent of a prima donna of the 19th century or a lyrical heroine. Despite its mythical tendencies opera could offer destituent processes able to deconstruct all the narratives explaining Monroe’s death and to make it not a defeat but an irreducible event. Besides opera singing will be considered as the expressive form of the impossible identity. Contemporary productions, Ferrero’s Marilyn and de Raaff’s Waiting for Miss Monroe, as well as Warlikowski’s staging of Janáček’s Věc Makropulos will be here analyzed. mer., 29 nov. 2023 11:59:11 +0100 mar., 29 oct. 2024 10:10:48 +0100 https://www.peren-revues.fr/revue-k/307 https://www.peren-revues.fr/revue-k/529 This essay intends to analyze the belonging of the figure of the Tramp/Charlot to the dimension of the destituent power starting from the reference to some of the very first films in which his mask appears. It is about questioning cinema as a form of historical witness. In particular, the essay emphasizes the value of contingency and accidentality for a theory of cinema understood as a “theory of the accident”. mar., 02 janv. 2024 14:06:26 +0100 mar., 02 janv. 2024 14:08:19 +0100 https://www.peren-revues.fr/revue-k/529