https://www.peren-revues.fr/revue-k/318 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1578 In Pier Paolo Pasolini’s La rabbia, images of the atomic bomb appear three times. The essay questions the significance of these three occurrences in Pasolini’s editing work, starting with archive images from a “Mondo Libero” newsreel, which had ended its activity a few years before the film was made. The hypothesis is that the atomic bomb represents for Pasolini a confirmation of the opposition between history and myth and that it is an opportunity to experiment with a new cinematic form. mer., 09 juil. 2025 14:40:02 +0200 mer., 09 juil. 2025 14:40:02 +0200 https://www.peren-revues.fr/revue-k/1578 https://www.peren-revues.fr/revue-k/313 In this essay I propose to consider the transformation of the actress Marilyn Monroe into an icon of the Society of spectacle. The notion of «spectacle» will be analyzed according to the theoretical perspectives of Guy Debord. In particular, in the case of the American actress, we are considering the transformation of a living body into an image-fetish: an attraction in the regime of desire and enjoyment proposed by contemporary capitalism. The destructuring and critique of this icon will be considered in the serial portraits of A. Warhol. We are considering the eminently allegorical character of the artist's operation. The poem dedicated from Pasolini to the actress and some photographic portraits will be kept in mind, which, unlike Warhol's images, give us a tragic view of Marylin's face. jeu., 30 nov. 2023 08:40:46 +0100 ven., 09 févr. 2024 15:49:21 +0100 https://www.peren-revues.fr/revue-k/313