https://www.peren-revues.fr/revue-k/321 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/398 The aim of this article is a hermeneutical reading of some images by Marilyn Monroe, in the light of Giorgio Agamben's concept of nakedness and beauty. In particular, we will start from the Agambian consideration of nakedness as an infinite operation of stripping, a dual movement of displaying and hiding the body. This idea serves to advance the hypothesis that Marilyn embodies a form of nudity capable of offering a different image of the feminine. jeu., 30 nov. 2023 09:56:21 +0100 mar., 13 févr. 2024 09:18:56 +0100 https://www.peren-revues.fr/revue-k/398 https://www.peren-revues.fr/revue-k/320 Marilyn Monroe, an actress on its own, did well on theatre as well. She was indeed the heroin of numerous plays, and was “embodied” by various actresses. What is the point of putting a film star on the boards? Is it to offer her some kind of artistic redemption? What about her charismatic and so well-known body, thus transferred into another one, living, and offered anew to renewed male and female gazes? jeu., 30 nov. 2023 08:44:35 +0100 ven., 09 févr. 2024 15:49:48 +0100 https://www.peren-revues.fr/revue-k/320