https://www.peren-revues.fr/revue-k/327 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/386 The painting cycle Warhol dedicated to Marilyn Monroe in 1962 is not only one of the highest moments of Pop Art, but one of the most complex meditations on the identity of the twentieth-century subject. Focusing exclusively on the dimension of the media mask, Warhol elaborates an aesthetic of artifice in which the “I” can only survive in its mimetic projections: constructability of beauty, affirmation of the universe of photoreproduction, marginalization of nature, virtuality of the subject and its social expendability. jeu., 30 nov. 2023 09:49:08 +0100 mar., 13 févr. 2024 09:18:32 +0100 https://www.peren-revues.fr/revue-k/386 https://www.peren-revues.fr/revue-k/325 Based on The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin, we will question the status of Marilyn Monroe’s images and we will study how her suicide changed the value of the star’s image, an exhibition value to cult value, as evidenced Marilyn Diptych by Andy Warhol. jeu., 30 nov. 2023 08:52:56 +0100 ven., 09 févr. 2024 15:50:18 +0100 https://www.peren-revues.fr/revue-k/325