https://www.peren-revues.fr/revue-k/337 Publications de Auteurs Florence Pignarre fr 0 https://www.peren-revues.fr/revue-k/991 This article aims to interpret the myth of Medea as an experience of strangeness based on a nietzschean understanding of the experience. Indeed, Medea is able to disturb our « pulsional configuration », which means shifting the balance power and overturning the way of organizing our human experience. To achieve this, we propose to follow four artistic interpretations of this myth: Medea in the Pasolini’s and Seneca’s works, the staging of the Cherubini’s opera by Krzysztof Warlikowski, and Medea Stimmen of Christa Wolf. mar., 16 janv. 2024 11:58:06 +0100 mer., 17 janv. 2024 14:35:58 +0100 https://www.peren-revues.fr/revue-k/991 https://www.peren-revues.fr/revue-k/960 This work aims to show that there are some similarities between the characters of Carlo Collodi’s fairy tale Pinocchio and Spielsberg’s film Artifical Intelligence. Indeed, the two protagonists are strange beings wishing to become real humans. However, this work also shows that David is a modern Pinocchio since he is an industrial product manufactured to be programmed. He will never become a human, neither will wake up in a human world. lun., 15 janv. 2024 12:15:21 +0100 mar., 13 févr. 2024 11:24:06 +0100 https://www.peren-revues.fr/revue-k/960 https://www.peren-revues.fr/revue-k/332 This article aims to show that the actor is a figure of the dismissal. First, it highlights that the actor is dismissed from his sensitive being, his role as an interpreter, and his real personality. However, it insists that, at the same time, the actor has the power to dismiss the economical and mediatic system which makes him exist. The actress and star Marylin Monroe crystalizes that in her personal, professional, and public life. jeu., 30 nov. 2023 08:56:27 +0100 lun., 12 févr. 2024 15:23:54 +0100 https://www.peren-revues.fr/revue-k/332