https://www.peren-revues.fr/revue-k/375 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1316 This article considers Kazimir Malevich's Suprematist Composition: White on White, painted in 1918 (Moma, New-York), in relation to Herman Melville's novel Moby-Dick, and more specifically to the white whale that constitutes its focal point. The white square and the white whale are destituting entities, one of painting, the other of literature, by their whiteness and materiality. But the destitution that they generate is a first step to access a higher dimension. mar., 02 avril 2024 11:41:59 +0200 mar., 02 avril 2024 11:42:16 +0200 https://www.peren-revues.fr/revue-k/1316 https://www.peren-revues.fr/revue-k/372 In this essay Marilyn Monroe: from idol to icon, infancy of a gaze, we focused on Pasolini’s cinematographic and poetical act. Particularly in la Rabbia where, linking the recurring pattern of infancy to death and beauty, he brings up the figure of Marylin Monroe. Setting out from the state of fascination for sublime images Pasolini calls up to describe the initial gesture of la Rabbia, we broke those patterns down into their connection to the Sacred, guided by a question: how fascination state unsets us from the mere objectivizing and idolatrous Seeing, bringing us into the iconic vision of the matter and the Archaïc breaking through it. jeu., 30 nov. 2023 09:42:30 +0100 mar., 13 févr. 2024 09:14:14 +0100 https://www.peren-revues.fr/revue-k/372