https://www.peren-revues.fr/revue-k/384 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/643 This paper examines the various functions of the imaginary starting from the case of Jeanne d’Arc. Assuming Castoriadis’ conception that the imaginary, in its ultimate and radical dimension, is the place of creation, I will explore in the lived experience of young Jeanette the alternation of what Margaret Boden distinguishes as three peculiar forms of creativity (combinational, explorative and transformative). In the first part, in particular, we will identify in Jeanne’s attachment to the religious and political tradition of her people the enactment of reproductive-combinatorial functions of the imaginary, while in the second part, we will seek to demonstrate how her voices and visions imply the creation of a new imaginary reality. lun., 08 janv. 2024 16:24:18 +0100 jeu., 15 févr. 2024 16:58:14 +0100 https://www.peren-revues.fr/revue-k/643 https://www.peren-revues.fr/revue-k/379 The purpose of this paper is to explore the deep bond that intervenes between the figure of Marilyn Monroe and Guy Debord’s “society of the spectacle”, in which reality is annihilated and replaced by phantasmatic representations. I will first try to synthesize the current status of the image, to understand how deeply Marilyn penetrated the optical unconscious and the collective imaginary, relating her to the main debordian concepts. Secondly, I will propose some alternative images, different visions of Marilyn, in the attempt to restore her beauty crumbled by the spectacle. jeu., 30 nov. 2023 09:46:05 +0100 mar., 13 févr. 2024 09:18:23 +0100 https://www.peren-revues.fr/revue-k/379