https://www.peren-revues.fr/revue-k/387 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/392 Our analysis focuses on the symbolism of Marilyn Monroe in the context of the Polish cinema of the end of communism and the desires and fantasies it arouses. Drawing on the Polish representation of Hollywood’s star in the Polish film Train to Hollywood, directed by Radoslaw Piwowarski in 1987, we propose here a reflection on the femininity, but also the theatrical and subversive dimension of Eros. jeu., 30 nov. 2023 09:52:45 +0100 mar., 13 févr. 2024 09:18:47 +0100 https://www.peren-revues.fr/revue-k/392 https://www.peren-revues.fr/revue-k/386 The painting cycle Warhol dedicated to Marilyn Monroe in 1962 is not only one of the highest moments of Pop Art, but one of the most complex meditations on the identity of the twentieth-century subject. Focusing exclusively on the dimension of the media mask, Warhol elaborates an aesthetic of artifice in which the “I” can only survive in its mimetic projections: constructability of beauty, affirmation of the universe of photoreproduction, marginalization of nature, virtuality of the subject and its social expendability. jeu., 30 nov. 2023 09:49:08 +0100 mar., 13 févr. 2024 09:18:32 +0100 https://www.peren-revues.fr/revue-k/386