https://www.peren-revues.fr/revue-k/390 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1478 The paper aims to investigate Helen’s apparition in Goethe’s Faust II, through Walter Benjamin’s Goethes Wahlverwandtschafen, essay written between 1921 and 1923, in which Benjamin reads Goethe’s novel Die Wahlverwandtschafen. In his essay, Benjamin focuses on Ottilie, whose beauty, in Goethe’s novel, represents an innovation in front of epic and mythological narration. Comparing Ottilie “apparent beauty” to that of Helen in Faust, an incredible closeness between Goethe and Euripides is revealed, insofar as apparent beauty is a sort of mythological fundamental of all wars. dim., 26 janv. 2025 20:24:21 +0100 dim., 26 janv. 2025 20:24:21 +0100 https://www.peren-revues.fr/revue-k/1478 https://www.peren-revues.fr/revue-k/386 The painting cycle Warhol dedicated to Marilyn Monroe in 1962 is not only one of the highest moments of Pop Art, but one of the most complex meditations on the identity of the twentieth-century subject. Focusing exclusively on the dimension of the media mask, Warhol elaborates an aesthetic of artifice in which the “I” can only survive in its mimetic projections: constructability of beauty, affirmation of the universe of photoreproduction, marginalization of nature, virtuality of the subject and its social expendability. jeu., 30 nov. 2023 09:49:08 +0100 mar., 13 févr. 2024 09:18:32 +0100 https://www.peren-revues.fr/revue-k/386