https://www.peren-revues.fr/revue-k/434 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/470 The essay aims at verifying role and significance of the analysis of Brecht's work, Drums in the Night, within the Jesi's reflection upon the symbology of revolt. The analysis clearly shows how Brecht's text is crucial for Jesi's reflection on the possible aporias of a mythology of revolt. jeu., 30 nov. 2023 11:35:01 +0100 mar., 13 févr. 2024 09:48:29 +0100 https://www.peren-revues.fr/revue-k/470 https://www.peren-revues.fr/revue-k/433 The aim of this paper is to bring to light some philosophical implications of Gustav Landauer's concept of Revolution. This concept is compared with Hermann's Cohen ethic ideal of “infinite task” and, on the other hand, with two brief critical sketches in which Walter Benjamin criticizes the Marburg school's approach. Landauer's ideas of “struggle” and “time” are also compared with Carl Schmitt's concept of “serious case (Erstfall)” and, lastly, with the paradigm of the perfect fight or “Macheus” theorized by Emanuel Lasker (the great chess player who also was a philosopher). jeu., 30 nov. 2023 10:43:45 +0100 ven., 09 févr. 2024 15:29:56 +0100 https://www.peren-revues.fr/revue-k/433 https://www.peren-revues.fr/revue-k/697 As a critical moment of the Bolshevik revolution, which suddenly lost its collective signifier, Lenin’s death was soon claimed in its political significance by the Immortalization Commission. In addition to doing its utmost for the preservation of the body, it also instituted a plan of “architectural immortalization”. Although the architect in charge was explicitly inspired by Malevich’s Suprematism, the latter will strongly deny any link with such an undertaking. This contribution aims to address, through an examination of the notes dedicated to Lenin, the attempt made by Malevich to counter the foundation of a new political theology. jeu., 11 janv. 2024 09:56:09 +0100 jeu., 11 janv. 2024 09:56:22 +0100 https://www.peren-revues.fr/revue-k/697