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    <title>Heiner Müller</title>
    <link>https://www.peren-revues.fr/revue-k/462</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
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      <title>Spartakus Lessing</title>
      <link>https://www.peren-revues.fr/revue-k/461</link>
      <description>Through the analysis of one of Heiner Müller's most enigmatic plays, the essay aims to show how the great German writer developed a radically critical reading of the history of modern German literature and culture. The failure of Lessing's project to compose a tragedy on Spartacus means the interruption of an alternative line of German literature, in which those who were excluded from the official tradition imposed by the dominant culture could have found a voice. </description>
      <pubDate>jeu., 30 nov. 2023 11:19:44 +0100</pubDate>
      <lastBuildDate>mar., 13 févr. 2024 10:02:06 +0100</lastBuildDate>
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      <title>Medea material by Mapa Teatro: reconfiguring Heiner Müller’s rewriting of the Medea myth</title>
      <link>https://www.peren-revues.fr/revue-k/1023</link>
      <description>The performance Medea material by Mapa Teatro (1991) stages Heiner Müller’s re-writing of the Medea myth, Despoiled Shore Medeamaterial Landscape With Argonauts. I analyse Mapa Teatro’s new montage of Müller’s text while also focusing on the aesthetics of this hybrid musical-theatrical performance, which challenge the (Western) theatrical reference. Using a decolonial perspective, I discuss how text and performance relate to colonial tensions and resonate with decolonial epistemologies. </description>
      <pubDate>jeu., 18 janv. 2024 10:02:33 +0100</pubDate>
      <lastBuildDate>jeu., 18 janv. 2024 10:06:31 +0100</lastBuildDate>
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