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    <title>Spartacus</title>
    <link>https://www.peren-revues.fr/revue-k/464</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>Spartakus Lessing</title>
      <link>https://www.peren-revues.fr/revue-k/461</link>
      <description>Through the analysis of one of Heiner Müller's most enigmatic plays, the essay aims to show how the great German writer developed a radically critical reading of the history of modern German literature and culture. The failure of Lessing's project to compose a tragedy on Spartacus means the interruption of an alternative line of German literature, in which those who were excluded from the official tradition imposed by the dominant culture could have found a voice. </description>
      <pubDate>jeu., 30 nov. 2023 11:19:44 +0100</pubDate>
      <lastBuildDate>mar., 13 févr. 2024 10:02:06 +0100</lastBuildDate>
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    <item>
      <title>Spartacus. Réécritures contemporaines : de Django Unchained à La Planète des singes</title>
      <link>https://www.peren-revues.fr/revue-k/499</link>
      <description>In 1960, Stanley Kubrick directed Spartacus, based on a script by Dalton Trumbo and a novel by Arthur Koestler. The movie entrenched the figure of Spartacus as revolutionary slave, fighting against slavery. In this article, we study how the figure of the Thracian slave lives on in at least two contemporary characters: Django from Quentin Tarantino’s eponymous movie and Caesar, the ape leading the uprising in 2011’s movie Rise of the Planet of the Apes. </description>
      <pubDate>jeu., 30 nov. 2023 11:53:24 +0100</pubDate>
      <lastBuildDate>mar., 13 févr. 2024 09:55:04 +0100</lastBuildDate>
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