https://www.peren-revues.fr/revue-k/502 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/1080 The essay develops a double reflection on forms of representation: on the one hand, on the use of images by the Black Panthers Party; and, on the other, on the impact that the BPP has had in the contemporary visual imagination. The essay analyses forms according to a perspective of an internal gaze and of an external gaze, in which the party emerges as a political novelty to be interpreted. But it is the contemporary scenario that takes up the image of the BPP to be explored as a missing image. ven., 19 janv. 2024 09:33:43 +0100 mar., 02 avril 2024 10:16:16 +0200 https://www.peren-revues.fr/revue-k/1080 https://www.peren-revues.fr/revue-k/1070 The history of theater testifies how a special power lurks in the choir: it can help those slaves who have lost it as a result of their condition of radical subjugation and the violence to which they have been subjected to find a new entry into the language. The essay tries to construct the hypothesis of this minor and so to speak karst connection between ancient Greek theater and the songs of the slaves, as they are inserted in a mainstream film based on a true story, 12 Years a Slave, by British director Steve McQueen. jeu., 18 janv. 2024 16:09:43 +0100 mer., 14 févr. 2024 14:07:32 +0100 https://www.peren-revues.fr/revue-k/1070 https://www.peren-revues.fr/revue-k/499 In 1960, Stanley Kubrick directed Spartacus, based on a script by Dalton Trumbo and a novel by Arthur Koestler. The movie entrenched the figure of Spartacus as revolutionary slave, fighting against slavery. In this article, we study how the figure of the Thracian slave lives on in at least two contemporary characters: Django from Quentin Tarantino’s eponymous movie and Caesar, the ape leading the uprising in 2011’s movie Rise of the Planet of the Apes. jeu., 30 nov. 2023 11:53:24 +0100 mar., 13 févr. 2024 09:55:04 +0100 https://www.peren-revues.fr/revue-k/499