https://www.peren-revues.fr/revue-k/532 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/529 This essay intends to analyze the belonging of the figure of the Tramp/Charlot to the dimension of the destituent power starting from the reference to some of the very first films in which his mask appears. It is about questioning cinema as a form of historical witness. In particular, the essay emphasizes the value of contingency and accidentality for a theory of cinema understood as a “theory of the accident”. mar., 02 janv. 2024 14:06:26 +0100 mar., 02 janv. 2024 14:08:19 +0100 https://www.peren-revues.fr/revue-k/529