<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0">
  <channel>
    <title>La danse de Charlot, de la géométrie à la mécanique</title>
    <link>https://www.peren-revues.fr/revue-k/540</link>
    <description>It has been said a lot that the character of the Tramp was a dancer, but how could we define his choreographic style more precisely? The Tramp is actually torn between two types of dance: classical dance with a geometric character, and contemporary dance that works more with the laws of mechanics (gravity, inertia,...). Thus, the Tramp’s dancing gesture leads him from academism and a desire for mastery to the elaboration, with a set of physical phenomena, of a more uncontrolled movement. </description>
    <category domain="https://www.peren-revues.fr/revue-k/65">Numéros</category>
    <category domain="https://www.peren-revues.fr/revue-k/505">Charlot : le grand déserteur</category>
    <category domain="https://www.peren-revues.fr/revue-k/508">Essays</category>
    <language>fr</language>
    <pubDate>mar., 02 janv. 2024 16:18:24 +0100</pubDate>
    <lastBuildDate>mar., 11 févr. 2025 14:02:06 +0100</lastBuildDate>
    <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/540</guid>
    <ttl>0</ttl>
  </channel>
</rss>