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    <title>Chaplin</title>
    <link>https://www.peren-revues.fr/revue-k/560</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>« Pas de côté, envol ou cabriole. Une généalogie chaplinesque en littérature. »</title>
      <link>https://www.peren-revues.fr/revue-k/600</link>
      <description>The Tramp has inspired many artists since the beginning of the 20th century. Extremely popular, the character created by Chaplin carries a subversive charge while being the protagonist of universally understandable stories. This article aims to highlight a filiation between Valéry’s M. Teste (1946), Henri Michaux’s Un certain Plume (1938), Italo Calvino’s Marcovaldo (1963) and Éric Chevillard’s La Nébuleuse du crabe (1993), four collections of short fictions, gathered around an eponymous figure reminiscent in some respects of the Tramp. </description>
      <pubDate>jeu., 04 janv. 2024 15:19:18 +0100</pubDate>
      <lastBuildDate>jeu., 15 févr. 2024 15:32:19 +0100</lastBuildDate>
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    <item>
      <title>Être père sans l’être : Charlot dans Le Kid</title>
      <link>https://www.peren-revues.fr/revue-k/577</link>
      <description>The Tramp, through his usual grace and clumsiness, unintentionally takes on the role of father, that someone else chose to abandon. He therefore gives us to see a way to be a father after, in Lacan’s words, “the evaporation of the father”, by tinkering with rather than overhanging the situation, by floating rather than slowing people and things, as well as by reinventing himself rather than sticking to an ideal. He also conveys to today’s spectators the image of their own malaise while comforting them. </description>
      <pubDate>jeu., 04 janv. 2024 10:48:56 +0100</pubDate>
      <lastBuildDate>jeu., 15 févr. 2024 15:31:41 +0100</lastBuildDate>
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      <title>Chaplin, Charlot et le rire, les ressorts comiques du vagabond</title>
      <link>https://www.peren-revues.fr/revue-k/559</link>
      <description>Charles Chaplin created his character Charlot, called too The tramp during the 1910s. Vagabond, lonely and unlucky, this character has been placed by Chaplin in several situations which he could not control. By using tragic codes to make some comic dimension in action movies with fast pace, Chaplin, with this unfortunate character, became the most famous burlesques filmmakers. His influence makes itself felt still today. </description>
      <pubDate>mer., 03 janv. 2024 11:51:33 +0100</pubDate>
      <lastBuildDate>mer., 03 janv. 2024 11:51:49 +0100</lastBuildDate>
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