https://www.peren-revues.fr/revue-k/561 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/540 It has been said a lot that the character of the Tramp was a dancer, but how could we define his choreographic style more precisely? The Tramp is actually torn between two types of dance: classical dance with a geometric character, and contemporary dance that works more with the laws of mechanics (gravity, inertia,...). Thus, the Tramp’s dancing gesture leads him from academism and a desire for mastery to the elaboration, with a set of physical phenomena, of a more uncontrolled movement. mar., 02 janv. 2024 16:18:24 +0100 mar., 11 févr. 2025 14:02:06 +0100 https://www.peren-revues.fr/revue-k/540 https://www.peren-revues.fr/revue-k/559 Charles Chaplin created his character Charlot, called too The tramp during the 1910s. Vagabond, lonely and unlucky, this character has been placed by Chaplin in several situations which he could not control. By using tragic codes to make some comic dimension in action movies with fast pace, Chaplin, with this unfortunate character, became the most famous burlesques filmmakers. His influence makes itself felt still today. mer., 03 janv. 2024 11:51:33 +0100 mer., 03 janv. 2024 11:51:49 +0100 https://www.peren-revues.fr/revue-k/559