https://www.peren-revues.fr/revue-k/574 Publications de Auteurs Melinda Palombi fr 0 https://www.peren-revues.fr/revue-k/1769 lun., 06 juil. 2026 17:14:55 +0200 ven., 17 juil. 2026 00:53:56 +0200 https://www.peren-revues.fr/revue-k/1769 https://www.peren-revues.fr/revue-k/1576 lun., 07 juil. 2025 23:13:42 +0200 mer., 09 juil. 2025 16:56:38 +0200 https://www.peren-revues.fr/revue-k/1576 https://www.peren-revues.fr/revue-k/1271 Calvinian writing resembles that of Lucretius in that it is a cosmic writing, which intends not only to describe the universe but also to take up certain founding principles in its very form. A cosmogonic writing, “metaphor for the particulate substance of the world” (Six Memos for the Next Millennium), that conceives of the void as the place where everything can happen and where things like letters can unfold, combine, build and deconstruct. ven., 09 févr. 2024 11:15:03 +0100 mer., 14 févr. 2024 08:41:14 +0100 https://www.peren-revues.fr/revue-k/1271 https://www.peren-revues.fr/revue-k/997 The symbolism of light and darkness has accompanied the Medea myth since its origins and becomes structuring in some of its versions, as for example in Pasolini's film. This article proposes a reading of the story of Medea in terms of her choice, explicit in Corrado Alvaro's work, to renounce all forms of power by a movement of withdrawal towards the darkness, which is not the darkness of the forces of evil evoked by certain authors, such as Seneca or Corneille, but on the contrary a form of non-violence. mar., 16 janv. 2024 16:14:35 +0100 mar., 16 janv. 2024 16:15:58 +0100 https://www.peren-revues.fr/revue-k/997 https://www.peren-revues.fr/revue-k/857 lun., 15 janv. 2024 10:44:34 +0100 lun., 15 janv. 2024 10:44:47 +0100 https://www.peren-revues.fr/revue-k/857 https://www.peren-revues.fr/revue-k/633 This article attempts to study the links between the destituent impact of the life of the historical Joan of Arc, on the one hand, the multifaceted mythical figure with which she has been saddled, on the other, and finally Rossellini’s movie, Joan of Arc at the stake (1954). “Ci fu una fanciulla chiamata Giovanna”: is the first line of this adaptation of the oratorio by Claudel and Honegger, as if to show from the outset the intention to return the heroine to her essential indeterminacy. Her naked humanity, but also her belonging to the cosmos, among the stars. lun., 08 janv. 2024 14:55:32 +0100 jeu., 15 févr. 2024 16:49:28 +0100 https://www.peren-revues.fr/revue-k/633 https://www.peren-revues.fr/revue-k/573 mer., 03 janv. 2024 15:22:43 +0100 mer., 05 juin 2024 13:42:59 +0200 https://www.peren-revues.fr/revue-k/573