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    <title>freedom</title>
    <link>https://www.peren-revues.fr/revue-k/598</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
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      <title>Anti-politique de l’amour</title>
      <link>https://www.peren-revues.fr/revue-k/1668</link>
      <description>According to Kierkegaard’s Works of Love, love undermines private property, which modern political philosophy, from Hobbes to Hegel, considers the foundation of civil society. Love is therefore an anti-political category, producing a permanent political state of exception. At the same time, love must be recognizable by its fruits, without, however, being able to objectively identify and prove what and where these fruits are. Therefore, love, the anti-political and the impossible par excellence, must entail visible and political consequences in the world. </description>
      <pubDate>dim., 18 janv. 2026 18:46:02 +0100</pubDate>
      <lastBuildDate>lun., 19 janv. 2026 17:27:18 +0100</lastBuildDate>
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      <title>L’ordre insensé Malevitch</title>
      <link>https://www.peren-revues.fr/revue-k/714</link>
      <description>This article studies the way in which the Suprematist paintings of Kazimir Malevitch inspire a poem to Jacques Dupin in 1975. The sharing of a broken poetics is accompanied by an insurrectional and ethical fraternity focused towards the opening and the renewal of the aesthetic creation. Malevich teaches the poet the virtues of an senseless order in order to offer an art freed from convenience and oppression, while leading him to question the foundations of the poem. Malevich's paintings can be considered much more than a support or an object of study for a poet art critic, but rather as a gift that the poet makes to the poem, and whose fecundity offers ontological, political and ethical revelations. </description>
      <pubDate>jeu., 11 janv. 2024 11:42:02 +0100</pubDate>
      <lastBuildDate>mer., 17 avril 2024 08:57:14 +0200</lastBuildDate>
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      <title>Jeux de l’amour et du hasard dans l’œuvre de Chaplin</title>
      <link>https://www.peren-revues.fr/revue-k/593</link>
      <description>This article shows how romantic idyll and desertion resonate together to highlight the defective being of Charlot. From the saucy seducer of the beginnings, passing through the sentimentalism of the years 1915-1916, Chaplin experiments with the constant shaping of the character of the vagabond until he captures the singular expression of a being who creates his own love score within modern society. </description>
      <pubDate>jeu., 04 janv. 2024 14:47:47 +0100</pubDate>
      <lastBuildDate>jeu., 15 févr. 2024 15:32:10 +0100</lastBuildDate>
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