<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0">
  <channel>
    <title>prophecy</title>
    <link>https://www.peren-revues.fr/revue-k/619</link>
    <description>Entrées d’index</description>
    <language>fr</language>
    <ttl>0</ttl>
    <item>
      <title>Sentire la grazia, vedere la voce: note su Giovanna d’Arco</title>
      <link>https://www.peren-revues.fr/revue-k/630</link>
      <description>The contribution proposes to read the conceptual figure of Joan of Arc in the light of the absence of her face delivered to us by history. If her appearance was immediately inscribed in the prophetic order of the sign and, in the process that will condemn her to death, in the juridical order of discourse and in that of history, Bresson’s cinema will be able to consign her image to the void that crosses it. In the editing and automatic voice of the model, Jeanne appear as an infigurable grace that dislocates discourse, politics, history. Starting from the excess that her paradoxical sovereignty constitutes, it will be possible to deconstruct the idea of the people that on her icon, on the historical capture of her event, it has been possible to establish. </description>
      <pubDate>lun., 08 janv. 2024 12:08:43 +0100</pubDate>
      <lastBuildDate>mer., 05 juin 2024 13:57:19 +0200</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/630</guid>
    </item>
    <item>
      <title>She will be drenched with pitiful tears</title>
      <link>https://www.peren-revues.fr/revue-k/649</link>
      <description>The most vivid images of Jeanne d’Arc demonstrate a girl who cried a lot, for her own people as well as for her enemies, who were suffering from the war she was inciting again, a war that served to liberate the oppressed, her people. This contribution attempts to situate her tears theologically in the context of the gift of tears. The tears she actually shed, especially on the day of her death, initiated a politics of tears that did not make her a saint, but a model of humanity until today. </description>
      <pubDate>mar., 09 janv. 2024 08:57:37 +0100</pubDate>
      <lastBuildDate>jeu., 15 févr. 2024 17:02:03 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/649</guid>
    </item>
    <item>
      <title>“Constelada de lágrimas”</title>
      <link>https://www.peren-revues.fr/revue-k/618</link>
      <description>Joan of Arc often cries. As Dreyer shows in his film, La Passion de Jeanne d’Arc, these tears are testimony to her suffering before some unjust judges, but they also allow her to unleash another time within her time. This contribution attempts to show how a status of powerlessness, expressed in weeping, can be transformed into a possibility for collective action. </description>
      <pubDate>ven., 05 janv. 2024 16:34:51 +0100</pubDate>
      <lastBuildDate>jeu., 15 févr. 2024 16:39:26 +0100</lastBuildDate>
      <guid isPermaLink="true">https://www.peren-revues.fr/revue-k/618</guid>
    </item>
  </channel>
</rss>