https://www.peren-revues.fr/revue-k/622 Entrées d’index fr 0 https://www.peren-revues.fr/revue-k/714 This article studies the way in which the Suprematist paintings of Kazimir Malevitch inspire a poem to Jacques Dupin in 1975. The sharing of a broken poetics is accompanied by an insurrectional and ethical fraternity focused towards the opening and the renewal of the aesthetic creation. Malevich teaches the poet the virtues of an senseless order in order to offer an art freed from convenience and oppression, while leading him to question the foundations of the poem. Malevich's paintings can be considered much more than a support or an object of study for a poet art critic, but rather as a gift that the poet makes to the poem, and whose fecundity offers ontological, political and ethical revelations. jeu., 11 janv. 2024 11:42:02 +0100 mer., 17 avril 2024 08:57:14 +0200 https://www.peren-revues.fr/revue-k/714 https://www.peren-revues.fr/revue-k/618 Joan of Arc often cries. As Dreyer shows in his film, La Passion de Jeanne d’Arc, these tears are testimony to her suffering before some unjust judges, but they also allow her to unleash another time within her time. This contribution attempts to show how a status of powerlessness, expressed in weeping, can be transformed into a possibility for collective action. ven., 05 janv. 2024 16:34:51 +0100 jeu., 15 févr. 2024 16:39:26 +0100 https://www.peren-revues.fr/revue-k/618