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    <title>Auteurs : Michele Pavan</title>
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    <description>Publications de Auteurs Michele Pavan</description>
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      <title>La visione a venire</title>
      <link>https://www.peren-revues.fr/revue-k/1260</link>
      <description>This paper investigates Lucretius and Spinoza’s materialism like a perspective oriented on the problem of the event. The first part, in particular, is dedicated to the discussion of the physical and ethical aspects of the Lucretian concept of clinamen, intended as the expression of an event that breaks the continuity of the uniform rectilinear motion of matter. The last part attempts to trace, within the Lucretian theory of simulacra, a path of emancipation of our ability to imagine, on the model of the theory of knowledge formulated by Spinoza in Ethics. The aim is to outline an idea of vision as an event in which the viewer takes shape together with what he sees. </description>
      <pubDate>jeu., 08 févr. 2024 16:29:40 +0100</pubDate>
      <lastBuildDate>mar., 13 févr. 2024 16:27:37 +0100</lastBuildDate>
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      <title>Furore istituente</title>
      <link>https://www.peren-revues.fr/revue-k/829</link>
      <description>In this text Giordano Bruno's philosophy is compared with aristotelian tradition and Thomas Hobbes' thought in a metapolitical perspective. The final part investigates the possibility of defining Bruno's political conception on the basis of the Deleuzian paradigm of institution. </description>
      <pubDate>lun., 15 janv. 2024 09:53:26 +0100</pubDate>
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      <title>Sulle voci e visioni di Giovanna</title>
      <link>https://www.peren-revues.fr/revue-k/655</link>
      <pubDate>mar., 09 janv. 2024 15:28:06 +0100</pubDate>
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      <title>Creatività e immaginario destituente in Giovanna d’Arco</title>
      <link>https://www.peren-revues.fr/revue-k/643</link>
      <description>This paper examines the various functions of the imaginary starting from the case of Jeanne d’Arc. Assuming Castoriadis’ conception that the imaginary, in its ultimate and radical dimension, is the place of creation, I will explore in the lived experience of young Jeanette the alternation of what Margaret Boden distinguishes as three peculiar forms of creativity (combinational, explorative and transformative). In the first part, in particular, we will identify in Jeanne’s attachment to the religious and political tradition of her people the enactment of reproductive-combinatorial functions of the imaginary, while in the second part, we will seek to demonstrate how her voices and visions imply the creation of a new imaginary reality. </description>
      <pubDate>lun., 08 janv. 2024 16:24:18 +0100</pubDate>
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